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Mizna, Volume 9, Issue 2
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Olive Tree
He told me my eyes
were the gray-green of ripening olives.
How easily I was seduced by the veined stretch of imagination—
though I have never stood among olive trees.
His family’s mythology rooted
in those olive trees of his ancestors
seeded for great-grandchildren.
His father never forgave France for burning
olive trees or his son for emigrating:
you have forgotten the olive.
Yet I have come to understand
that he married me out of these very beliefs
his father said he had forsaken.
This was the story he was compelled to tell and retell:
how after he reached puberty
the women kept him out of the kitchen
shut out from air sated with gossip and griefs boiling over,
and how he spent years trying to get back
to this moist space made full by women.
I knew the way sunlight sieves
through pines and shimmers on the lake.
I knew the shifting blues of water—
but not the Mediterranean.
This he held against me
until finally we arrived at the fulcrum:
he took the bakery, the café, the culture;
I took the daughter.
There was nothing left
the olive’s first oil long ago pressed
but the everything that was the ripening of a daughter,
her eyes the color of hazelnuts, not olives.
It seemed he tossed aside the wisdom he’d known from birth:
Years pass before a trust
between the ground and the seed sparks.
Generations pass before the tree blossoms.
Only the oil of the tree gnarled with age
can make you strong.
Today in the deli
I saw olives—kalamata, greek, sicilian, manzanilla,
black, green, purple, yellow, marinated, cracked,
stuffed, thrown, pitted, unpitted. I had to laugh.
What he saw in my eyes:
the iris of his own ache.
What I heard in his words:
the timbre of my own loss.
Your eyes are ripening olives,
or was it: Your eyes are the leaves of the olive
sifting the morning light?
Years teach us the solitude of the tree,
the calmer acceptance of failure.
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Arabic classes, beginning in February!
Beginning February 1, Mizna will be offering three classes in spoken and written Arabic: Arabic I, II, and III. The classes will take place in the Mizna office in Northeast Minneapolis with instructors Antoine Mefleh and Sondes Douzi Wooldridge.   MORE >>
Remi Kanazi: Performance & Workshop
Mizna is partnering with the Loft Literary Center to present a spoken word performance by Remi Kanazi as part of the Loft's Equilibrium series. Remi is an amazing Palestinian American spoken word artist, and his performance on Saturday, December 3 is not to be missed! Also, the following day, Remi will be leading a spoken word workshop. Lunch will be provided and there will be an optional sharing of work. Space is limited, so sign up for the workshop today: mizna@mizna.org or 612-788-6920. The workshop is co-presented by Mizna, the Loft, and the Twin Cities chapter of the International Jewish Anti-Zionist Network (IJAN).    MORE >>
DEADLINE EXTENDED: Literature in Revolution
Mizna, a journal of Arab-American literature, is seeking original writing for our upcoming publication, with a focus on the so-called "Arab Spring." We welcome journal entries and writing from the ground, poetry, short stories, personal essays, theatrical pieces, creative non-fiction, and reflections from abroad and at home on any aspect of the theme of revolutions and uprisings, and the ensuing backlashes and military incursions. Submission deadline has been extended: September 9, 2011
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